Tag Archives: grouplove

Racecar Spacecar’s Top 50 Albums of 2011

Up until compiling this list, I was pretty sure 2011 was not a fantastic year for music.  Well, I may have been completely wrong.  There might not have been giant releases from the most prominent artists of our generation, but this is only because there are no more prominent artists of our generation.  The internet and availability of music has made anybody a contender for making a great record, and I believe it has become a complete toss up as to who makes a future classic in any given year.  Relax, for this is a good thing.  Here’s my big list of favorites in 2011.

50.  Miles Kane – Colour of the Trap  So this is why he is such good friends with Alex Turner (being an excellent songwriter).

49.  Jay-Z and Kanye West – Watch the Throne  A perfect career move for the two friends (releasing a lighthearted ‘good-times’ album to stay relevant in a year you aren’t releasing major albums).

48.  Waters – Out in the Light  As much as I liked Port O’Brien, the band that’s risen from their ashes makes me not miss them much at all.

47.  Elanor Friedberger – Last Summer  Half of the Fiery Furnaces makes the best summertime pop album of this decade (also trounces anything made by her main band).

46.  Cults – Cults  I’m all for cuteness, but this might be the absolute limit.  Still, the songs are timeless, and that’s not an easy thing to do.

45.  Foster the People – Torches As per the excellent Hipster Runoff, this is the current definition of ‘mindie.’  It doesn’t mean it’s not great, but they left off “Chin Music for the Unsuspecting Hero,” and that was my favorite song.

44.  Foo Fighters – Waking Light  The realest hard rock album of the year, Foo Fighters prevail once again.  They haven’t made one wrong move in their whole career, and that is no easy feat.  Also, Dave Grohl is the coolest person alive.

43.  Jeff the Brotherhood – We are the Champions  A solid followup to Heavy Days, with improvements in literally every area.

42.  Hanni El Khatib – Will the Guns Come Out Jack White is a fan.  How could this not be great?

41.  Brick Mower – Under the Sink  The New Brunswick garage punks follow a promising EP with an album of possible singles.  Being how much they’ve toured, it’s surprising you haven’t seen them yet.

40.  Hair Rocket – Punishment Cookie  Pennsylvania’s answer to Spoon.  Catchy, minimalistic, and memorable.

39.  Bright Eyes – The People’s Key  Mr. Oberst gives us another solid collection of songs, pays homage to Paul Simon’s “Kodachrome,” and generally has a good year.

38.  Wild Flag – Wild Flag  I was never into Sleater-Kinney, but this album makes me curious to say the least.

37.  Cloud Nothings – Cloud Nothings  Dylan Baldi should have a very good 2012 if his constant betterment is any indication.

36.  Coldplay – Mylo Xyloto  Yes, I still like Coldplay.  I’m not ashamed; they are indeed talented.  As for this album, it’s pretty damn good and better than their last two.

35.  Destroyer – Kaputt  The best member of the New Pornographers releases yet another solo album.  Unsurprisingly, it is incredibly good while simultaneously sounding like nothing he’s done previously.

34.  Sondre Lerche – Sondre Lerche  Sondre Lerche finally has a record everyone wants to hear!  It’s not my favorite (Two Way Monolouge), but it’s got hits and that’s what counts.  And his live show is completely fantastic!

33.  Ruby Coast – Whatever This Is  Are we sure this isn’t Dave Monks in disguise?  Canada sure does produce great indie rock, that’s for sure.

32.  The Airborne Toxic Event – All At Once This is a well-rounded record that completely equals their debut. Brooding indie rock that flairs into Springsteen territory when the tempo picks up.

31.  Library Voices – Summer of Lust  If “Generation Handclap” doesn’t become a hit, I renounce my ability to predict hits.  I need to spend more time with this record, but propects look good.

30.  The Front Bottoms – The Front Bottoms  The most honest and confessional album of the year, by far.  It’s from some Jersey boys, too!

29.  Bombay Bicycle Club – A Different Kind of Fix  While there are a few absolutely great songs (“Shuffle”), I had really high expectations for BBC on this album. It’s not bad in anyway, just a bit too electronic and experimental for somebody who loved their first album so much.  It’s still cool that the band hasn’t slowed down their growth in any way whatsoever, though.

28.  Clap Your Hands Say Yeah – Hysterical  The best album yet from the rightfully backlashed original buzzband.  “Maniac” is one of the best songs of the year, hand down.

27.  Deer Tick – Divine Providence  The best good time party band gets the closest to recording their good time party sound yet.

26.  Cage the Elephant – Thank You Happy Birthday Frank Black was the producer/cowriter/joined the band for this album, right?  Seriously though, it isn’t even funny how much TYHB owes to the Pixies.  That’s quite a good thing, though.

25.  Mason Jennings – Minnesota  I’m biased toward Mason, but only because he’s the most consistently great singer songwriter I can think of.  His new album does nothing to tarnish this.

24.  Black Keys – El Camino  This is a powerhouse of an ‘blues’ album, and would probably be higher on the list if there were a few more weeks left in the year to warm up to it.

23.  Bosco Delrey – Everybody Wah  If rockabilly becomes an indie trend (let’s hope!), Bosco will be one of the main reasons for its resurgence.

22.  The Kooks – Junk of the Heart  With songwriting like Luke Pritchard’s, it’s hard to not make a good album.  I didn’t like this one at first, but separated from its two predecessors there is more than enough beauty to put it in this list.

21.  Ezra Furman and the Harpoons – Mysterious Power  I adore everything Ezra does.  He’s a Dylanesue genius and holds literally nothing back.  I don’t know why he’s not more famous, but it’s bound to happen sooner or later.  His band is also unbelievably solid and deserves their name after his.

20.  Girls – Father, Son, Holy Ghost  If you remove the background story, the hype, and the slowly developing myth, you have a bunch of great songs from a timeless kind of songwriter.  That’s what counts, Mr. Owens.

19. Red Hot Chili Peppers – I’m With You  For a band that has been through as much as the Peppers, replacing their guitarist isn’t that big of a deal at this point.  Even if he is/was considered one of the best in the world, Mr. Keidis, Mr. Flea, and Mr. Smith still found a way to make one more incredible album to add to the resume.  Why so many people backlash against RHCP is something i’ll never understand, but probably comes from something other than the music itself.

18.  Tom Waits – Bad As Me  Nobody is as bad as Mr. Waits, and that is certainly the best thing about him.  The less experimental album is everything most fans could want at this point in his career.  The songs, are short, memorable, and of course brimming with the trademarks that have made so many people love him.  Then there’s the list of other greats he had the sway to have contribute (Richards, Claypool, Flea).

17.  Peter Bjorn and John – Gimme Some  Who thought PB&J could make an album as catchy and all killer, no filler?  Not me, that’s for sure.  But they did, and it’s sunny vibe ended up soundtracking my whole year.  It turns out we don’t care about the “Young Folks” after all…

16.  Black Lips – Arabia Mountain More of the same from the Black Lips, though it now sounds better than ever thanks to Mark Ronson.  The Black Lips don’t always come up on my playlist, but when they do I listen to nothing but them for a week.  Plus, their live show is the best thing ever.

15.  Fleet Foxes – Helplessness Blues  Nothing on Earth is as pretty as Robin Pecknold’s voice; this is a fact.  The first album was perfect, the second is more of the same but a bit more streched out and experimental.  Sonically, it might be better, but “Ragged Wood” is still their pinnacle for me so and I fell in love with other albums more than this.  It’s still the most beautiful thing released this year, along with…

14.  Bon Iver – Bon Iver  There really isn’t anything to say here that hasn’t already been said. It’s on everybody’s list, it’s gorgeous and beaming with intensity, and the world loves the first nine tracks.  This wasn’t a folkie year for me, otherwise it would have been higher.

13.  Smith Westerns – Dye It Blonde  Dropping their lo-fi sound was the best thing Smith Westerns could have done, and adding such slick production greatly benefitted them when it fails so many others.  The best guitar line of the year is in “Weekend,” but “All Die Young” is the beating heart of the record.

12.  Wilco – The Whole Love  Everything Wilco does is now gold, and Jeff Tweedy’s voice will be of the ones that define this musical era of uncertainty.  The band is the standard by which the ;idea of being a great band’ is now measured.  My favorite song is “Dawned On Me,” because it sounds like something I’ve heard before.  I just can’t figure out what…

11.  The Drums – Portamento  The Drums do not put anything into their songs that doesn’t stay with you.  Whether it’s surk rock or aping the 80’s, the group’s sound is irresistably fun and endlessly catchy.  This is in humorous comparison to their gloom filled lyrics and mopey lead singer.  The band really hit a formula that works with their debut, and Portamento just adds to it and has way less filler.

10.  The Static Jacks – If You’re Young  British garage rock by way of New Jersey, The Static Jacks made one of the most consistent albums of the year and not nearly enough people have heard it.  That’s about it.

09.  Arctic Monkeys – Suck It and See  Alex Turner must have had the realization that writing blisteringly fast garage rock would eventually cause his band to implode from shear intensity. It also wouldn’t let them play two hour long sets, which seems to be the Monkey’s goal at this point.  Being a musical institution is certainly better than being a flickering garage rock flame, and the band has now taken a stab at making what could easily be considered ‘classic’ rock and roll.  They’ve since succeeded tremendously.

08.  Telekinesis – 12 Desperate Straight Lines  How do you followup one of the more promising debuts of the last five years?  Why, you just improve upon it of course.  Michael Benjamin Lerner did just that with the help of Chris Walla, taking the sound of Telekinesis! and diversifying it slightly.  They also figured out how to cram even more sugary melodies into the easy listening indie pop sound, which must have been no easy task in itself.  Throwing in a Paul Simon reference makes for a winner in my book.

07.  St. Vincent – Strange Mercy  It seems Annie Clark has had quite the year.  She’s gone from being a semi-unknown artist to being one of the leading taste makers in the indie scene.  Honestly, it’s about time.  Nobody does what she does, and if they try, it never comes out quite as good.  Plus, she can shred guitar!

06.  Grouplove – Never Trust a Happy Song  Quite the backstory, and more than enough songs to prove their sunny demeanor on this debut.  Grouplove seem to be quite content taking the happiest elements of the last fifty years and smashing them together into bright pop songs to be enjoyed by the masses.  I’m pretty sure the masses will actually start listening this year if given the chance.

05.  Little Comets – In Search Of Elusive Little Comets  This band probably has the coolest new sound of the year, in my opinion.  The songs are superbly melodic and honestly addictive, especially in the first half of this debut.  I have the highest expectations for Little Comets, and fully expect you will as well.

04.  The Vaccines – What Did You Expect from the Vaccines?  Famously mysterious, infamously hyped by the British press, and a year later the Vaccines have come through the media blitz relatively victorious.  They survived the backlash, wrote some instantly simple and fantastic songs, and made a serious name for themselves in the declining world of guitar rock.  Well done, lads!
03.  The Postelles – The Postelles  Wait, this came out in 2010? Well, if Mumford and Sons can get nominated for a 2011 Grammy, then I can say this album is in my top 50 of the year.  Nothing was as packed with singles and fun vibes as much as the long delayed debut from this New York group, and they put on a fantastic live show to boot.

02.  The Strokes – Angles  My favorite band, their most underrated album, and I felt biased putting it here.  That is, until I went back and listened to its best songs.  Sure, not every tune is as stellar as the last 40 songs the group has released, but the few that are more than make up for it.  I’ve listened to my favorite five tracks more than enough to qualify this album for such a high spot, and I implore you to give the album a few more tries if it didn’t originally meet your fancy.

01.  Mister Heavenly – Out of Love  No, this isn’t me throwing a curve ball to make my list more interesting and cause controversy.  I was completely obsessed with this album for more than a month and it makes sense only if you can understand my personal love of drunk-crooner voices, doo-wop melodies, and Scott Pilgrim. Out of love really did it for me in 2011, and I hope this one off side project becomes a permanent fixture in the indiesphere.

 

Well, there it is.  Did I miss any?  Not enough dubstep?  Yeah, you’re right.  Well, here’s a few more to listen to…

Honorable Mentions:

Givers – Givers  Nowhere near as good as the EP, but still too fun to completely leave out.

Adam Taylor – No Poet  If this was an album instead of an EP, it would have easily been in the top ten.

Guards – Resolution of One EP  Prediction: Guards will be bigger than Cults.

The Rapture – In the Grace of Your Love  “Miss You” will be in quite a few of my future playlists.  This is fact.

Beirut – The Rip Tide  It’s just as good as his previous albums, but Mr. Condon has fallen into a bit of a rut sonically.  This doesn’t mean he isn’t still a great songwriter.

Yuck – Yuck  I simply didn’t listen to this enough, and Jeff the Brotherhood really have me covered on dirty 90’s alt rock throwback bands.

 

Album Review: Grouplove – Never Trust a Happy Song

After a long wait and slow build of anticipation, Grouplove have finally released Never Trust a Happy Song, their debut LP.  Hipsters the world over have been waxing nostalgic on the ironic title, but looking past that I’m pleased to report that the band has really delivered upon everything their self-titled EP promised.  The harmonies, sunshine, and general youthful exuberance completely carried over onto Never…, and the result is a surprisingly varied album that goes great lengths in expanding the band’s sound and style.  There are enough potential singles to shake a stick at, and the band was smart enough to balance them out with some interesting slow- to mid-tempo tunes.

I’m also really happy with the track listing of the album, which in this modern world of shuffling singles isn’t something most people think about.  There’s a great flow to NTaHS that opens perfectly with “Itchin on a Photograph” and has the listener hooked until “Slow,” which almost seems like something the band planned before things pick back up in the second half.  “Colours” and “Naked Kids” are unchanged and just as great as they were a few months ago, but new songs “Tongue Tied” and “Spun” are without a doubt just as catchy.

A few of the tracks, such as the aforementioned “Tongue Tied,” also make smart use of the new indie trend of putting that booming bass drum in to create a dance sound.  You know, the one often used by MGMT, Passion Pit, The Drums, Two Door Cinema Club, Foster the People, and especially Sleigh Bells.  I’m sure we’ll get an even more bangin’ club mix of some Grouplove songs in the near future, and I wouldn’t be surprised if the band commissions them themselves.  Desperate music times call for desperate music measures these days!

Of course, the album isn’t totally perfect, but my main qualm comes from the infinite memorability of the first seven tracks versus the last five.  There are so many hooks to wrap my head around that the end of the album has been largely forgotten after listening to it ten times on repeat.  It’s not that the songs aren’t good, it’s just that there’s too much in one shot that the cream really stands out.  I’m sure the other ones will dig their way in over time, but I know what songs I want to hear first whenever I go back to the LP, and that’s not a bad thing.

As a personal note, I got into Grouplove around the same time I first heard Givers, so now the two bands kind of ‘go together’ in my head.  It makes sense; the groups are ridiculously similar in style, membership, and even Caps-Lock sensibilities.  In a race for sunny pop sensibilities, Givers really hit the nail on the head, but Grouplove has a few things they don’t.  Their album is more diverse than Givers’, and therefore ends up much more memorable.  Nothing against the latter, but Grouplove is fantastic at adding melancholy sentiment and melody to the even happiest of music, and it pays off in the long run.  Plus, I hear the live show is crazy good.  (Givers’ show was great too, even if it did sound like one long song…)

At this point I really do have the highest of expectations for this band.  Their vibe, style, story, music, and timing are all just right enough for them to explode at the drop of the hat, and it’ll probably happen within a few months.  Then comes the dirty hipster backlash, of course (something Grouplove can avoid by following Foster the People’s footsteps and just becoming mainstream).  This in turn will make us bloggers despise them, but being indie is a cruel existence any band must come to terms with sooner or later.  For now, this is my new favorite record!

Grouplove – Don’t Say Oh Well

Grouplove – “Itchin on a Photograph”

This is the first track from the absolutely excellent debut album from Grouplove. Review forthcoming!

GROUPLOVE – “Colours”

I’ve had this song for a few weeks, but it came up on shuffle today and the resulting noise through my headphones completely blew me away.  Wow, this song is well written, to the point I’ve become obsessed within minutes!

GROUPLOVE is a band from Los Angeles and they play something that sounds like Danielson meets Local Natives meets Suckers.  It is really cool and to fully grasp it you should and could hear it right now.  The group came out with a self-titled EP in May, so grab it if you can.

GROUPLOVE – Colours

Ze myspace to buy the new EP.